Social Psychologist Stephen L. Klineberg on the Changing Face of Houston and America

On June 14, 2012, Stephen L. Klineberg, social psychologist and Co-Director of the Kinder Institute for Urban Research at Rice University, visited American Studies Leipzig as part of the Fulbright lecture series. Houston, Texas is one of Leipzig’s sister cities.1

Professor Klineberg, who has been co-directing the Kinder Houston Area Survey for thirty-one years, talked about socio-demographic developments in the  Houston area and its implications for the US in the twenty-first century.

Panoramic view of the Houston skyline.
Panoramic view of the Houston skyline. By Hequals2henry (Own work) [CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0) , via Wikimedia Commons. https://commons.wikimedia.org/wiki/File:Panoramic_Houston_skyline.jpg
For most of the twentieth century, the primary source of wealth for the Houston area has been its geographic nearness to the oil fields of East Texas. According to Klineberg, in the twenty-first century, Houston will transition into a center of biotechnology, nanotechnology, and information technology industries.

If this is to become a reality, Houston needs to lure the best and the brightest into its centers of academic research, and develop ways to turn new knowledge into profitable ventures. In order to succeed in the emerging knowledge economy, the city needs to become attractive for an international mobile elite that could—at least in theory—live anywhere in the world. In this context, quality of life issues are taking on a central role for the economic success of the city as a whole.

Geography and Demographic Developments

With merely one third of LA’s urban density, Houston is the most spread-out city in the US. Harris County, TX covers a land area of 1,703.48 mi² (4,411.99 km²) is the fifth largest metroplex in the US and the third most populous county, inhabited by around 4 million people. It is a city of automobiles, open spaces, and suburbs. The latter are largely the result of the post-World War Two baby boom.

By 2035, the population of the Houston area is estimated to grow to around eight million inhabitants.2

But despite the reliance on cars, mass transit by other means has become increasingly important. Since 2004, Houston has a light rail line, the METRORail, covering 7.5-mile (12.1 km) and catering to approximately 34,000 daily commuters, something that has long been a common sight in European cities.

In the last decades, living in the city, as opposed to suburbia, has become more attractive. Surveys have traced the growing popularity of smaller homes closer to the city centers, where the workplace and other infrastructure is within walking distance.3

Demographics, Klineberg holds, is the key cause for this development. Today, less than one third of all households has children living at home.

All of this constitutes a trend towards “walkable urbanism.”

New Immigration, Ethnic Diversity, and the Face of Twenty-First Century America

Historically, Houston has essentially been a bi-racial Southern city. But today, it is the most culturally diverse metropolitan center in the US. In 2010, Houston’s population was 40.8% Hispanic, 33% Anglo, 18.4% Black, and 7.7% Asian.4

Race and ethnicity 2010: Houston By Eric Fischer  [CC-BY-SA-2.0 (http://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons.
Race and ethnicity 2010: Houston By Eric Fischer [CC-BY-SA-2.0 (http://creativecommons.org/licenses/by-sa/2.0). Maps of racial and ethnic divisions in US cities, inspired by Bill Rankin’s map of Chicago, updated for Census 2010. Red is White, Blue is Black, Green is Asian, Orange is Hispanic, Yellow is Other, and each dot is 25 residents. Data from Census 2010. Base map © OpenStreetMap, CC-BY-SA. https://commons.wikimedia.org/wiki/File:Race_and_ethnicity_2010-_Houston.png
The new immigration from Asia, Latin America, and the Caribbean has prevented population loss in Houston, which has been a problem in other major US cities.

In some ways, Houston today hints at the future of the US in general. By 2045, so the U.S. Census Bureau estimates, a majority of the population will be of non-European descent.5

Professor Klineberg is optimistic about the prospects of the US population dealing with this fact. Looking at Houston, with its great ethnic diversity, he points out that anti-immigrant sentiment is less pronounced here than in other places in America.

Much of this optimism stems from what Klineberg calls the “psychology of inevitability.” While the American population as a whole is aging and today’s seniors—the Baby Boomers—are mostly Anglo (or non-Hispanic white), younger generations of Americans are disproportionately non-Anglo. Furthermore, there has also been a significant increase in interracial marriages over the last decades.6 Younger Americans today are better attuned to the reality of a more ethnically diverse society than their parents or grandparents. In Klineberg’s view, the major fault line of the twenty-first century will therefore not be race but economic class.

The Knowledge Economy, Higher Education, and Inequality

In the twenty-first century, education will be the key to prosperity. The effects of globalization, automation, and government inaction have led to a decline in manufacturing jobs and put the American working and middle classes under increasing pressure.7

In the knowledge economy, both in Houston, Texas, and the US as a whole, access to higher education is therefore the crucial factor for long-term economic well-being of citizens.

Here is American Studies Leipzig’s video interview with Stephen L. Klineberg:

  1. Aktivitäten und Projekte – Partnerstadt Houston (USA). Stadt Leipzig. http://www.leipzig.de/de/business/wistandort/international/partnerst/houston/02513.shtml
  2. Houston-Galveston Area Council 2035 Regional Growth Forecast. http://www.h-gac.com/community/socioeconomic/forecasts/archive/2035.aspx
  3. Smaller homes, urban lifestyles attractive to new homebuyers: ULI. Housing Wire. March 21, 2012. http://www.housingwire.com/news/smaller-homes-urban-lifestyles-attractive-new-homebuyers-uli
  4. Harris County, Texas, 2010. State & County QuickFacts. U.S. Census Bureau. http://quickfacts.census.gov/qfd/states/48/48201.html. See also the Wikipedia page on Demographics of Houston.
  5. U.S. Population Projections. U.S. Census Bureau. http://www.census.gov/population/www/projections/index.html
  6. Jordan, Miriam. “More Marriages Cross Race, Ethnicity Lines.” Wall Street Journal 17 Feb. 2012. Web. 15 June 2012. http://online.wsj.com/article/SB10001424052970204880404577226981780914906.html
  7. Noah, Timothy. The Great Divergence: America’s Growing Inequality Crisis and What We Can Do About It. Bloomsbury, 2012.; Pierson, Paul, and Jacob S. Hacker. Winner-Take-All Politics: How Washington Made the Rich Richer–and Turned Its Back on the Middle Class. Simon & Schuster, 2010.

Historian Ulrich Adelt on the Blues in Cold War Germany

On April 26, Dr. Ulrich Adelt, Junior Professor of American Studies from the University of Wyoming, gave a talk at American Studies Leipzig as part of the Fulbright lecture series. His presentation was titled “Just Play the Blues: African Americans, Afro-Germans, white Germans and the Politics of Primitivism.”

Professor Adelt’s research interests include pop music, transnationalism, and racial politics.

In the 1960s, blues music underwent a shift from black artists and audiences to white artists and audiences. With the appropriation of the blues by white artists and audiences, the genre shifted away from its former black working class base. The white middle-class embrace of certain notions of blackness stood in contrast to black audiences’ increasing attraction to new music genres emphasizing civil rights and black power, such as Soul and Funk. For white audiences, black masculinity was perceived as a marker of authenticity. Nevertheless, African American performers often resisted such forced constructions of blackness.

Adelt used the American Folk Blues Festival, a music festival organized by German promoters starting in the early 1960s to illustrate the complex relationships between transnational popular culture and race during the Cold War.

The Transatlantic Dimension of the Blues

In the 1960s, blues music became a transatlantic phenomenon in its own way. Black American blues musicians, some of whom became expatriates, brought their music to eager European audiences. After a while, blues in an updated form was re-imported to the US, mostly through British rock bands.

As an example of an expatriate blues musician, Adelt mentioned Memphis Slim (1915 – 1988), who was portrayed in the June 1966 issue of Ebony magazine while living in Paris (You can read the issue in the Ebony archives). But this was not the norm. Most African American blues performers did not become expatriates.

Memphis Slim, American Folk Blues Festival, Hamburg 1972. Picture by Heinrich Klaffs. This file is licensed under the Creative Commons Attribution-Share Alike 1.0 Generic license. From Wikipedia.
Memphis Slim, American Folk Blues Festival, Hamburg 1972. Picture by Heinrich Klaffs. This file is licensed under the Creative Commons Attribution-Share Alike 1.0 Generic license. From Wikipedia.

 

 

Germany Gets the Blues (Sort of)

In Germany, promoters Horst Lippmann and Fritz Rau organized the American Folk Blues Festival, beginning in 1962. Their construction of the blues was highly romantic. It used the genre’s blackness to highlight blues as the primitive root of Rock’n’Roll. Lippmann and Rau saw the blues as a vehicle of Denazificiation and Anti-racism. In retrospect, however, they continued to deploy racial constructions that are uncomfortably close to that of the Third Reich.

Adelt argued that pop culture is not always a liberating force, but can also work to uphold racial hierarchies and oppression.

Primitivism in Germany

In Germany, positive racism in the form of appropriating the art of ‘savages’ has a long history. African bodies used in art were seen as modern, fresh, or lively. Examples of works of art in this vein include Pablo Picasso’s Les Demoiselles d’Avignon (1907), Emil Nolde‘s Dance Around the Golden Calf (1910), or the enthusiasm for American-born French dancer/singer/actress Josephine Baker (1906 – 1975).

Josephine Baker in Banana Skirt from the Folies Bergère production "Un Vent de Folie," 1927. Picture by Walery, French, (1863-1935). PD by age (Walery died more than 70 years ago). From Wikipedia.
Josephine Baker in Banana Skirt from the Folies Bergère production “Un Vent de Folie,” 1927. Picture by Walery, French, (1863-1935). PD by age (Walery died more than 70 years ago). From Wikipedia.

 

 

During the Third Reich, this former positive racism was replaced by negative racism, exemplified by terms such as Entartete Musik (‘Degenerate music’) (see also here) for jazz, and a fear of Vernegerung (‘Negroidization’) or Verjudung (‘Jewification’) of German culture through ‘foreign’ popular culture.

 

 

 

 

 

After World War II, certain Nazi imagery survived in popular children’s television series such as Jim Button and Luke the Engine Driver (Jim Knopf und Lukas der Lokomotivführer) (1960). [There is a debate in Germany about whether Jim Button has to be read as racist or anti-racist.]

Racism was also present among parts of the white German left. Here, a “fascination with the real” drove the interest in the black embodiment of suffering.

Race in Germany Before and After World War Two

Transplanting the blues to Germany brought with it certain traveling problematic racial conceptions. While the US certainly had its own historic issues with race, the blues was entering a German culture that was no stranger to racist ideas, even before National Socialism. Among these were the ‘Black Horror on the Rhine’ (“Die Schwarze Schmach“)—fear of the presence of black French troops during the Occupation of the Rhineland following World War I, the vilification of interracial fraternization in the phenomenon of  ‘Occupation Babies’ (“Besatzungskinder”) after World War II, caused by sexual relationships between black American GIs and white German women.

Such negative racial constructs were later challenged by Afro-German activists, for instance in the book Farbe Bekennen (‘Showing our Colors’) in 1986.

After the reunification of Germany, a wave of Neo-Nazi attacks on immigrants and non-white persons conveyed an urgency among ethnic minorities and sympathetic parts of the mainstream German population to organize against racial stereotypes. Within German popular culture, Hip Hop artists, especially multi-ethnic or Afro-German Hip Hop artists, such as Advanced Chemistry (early 1990s), Samy Deluxe (starting in the late 1990s), or Brothers Keepers (early 2000s) were involved in anti-racist activism.

Blues as Cold War Propaganda in East and West

The blues was used as a propaganda tool on both sides of the Cold War divide. The capitalist West promoted blues and Jazz as symbols of openness in  contrast to the Soviet system. Nonetheless, during the early Cold War, the Jim Crow system was still very much intact in the US, and the Civil Rights Movement had not yet gained that strong a foothold.

The communist East was eager to point out these contradictions, presenting blues and jazz as a signs of resistance against the inherent racism of the capitalist system. In the German Democratic Republic, blues was promoted as music of the oppressed masses, embedded into a critique of US capitalism. On the other hand, there were crackdowns on long-haired blues fans nonetheless, and racial stereotypes were not absent.

Lippmann and Rau Bring American Popular Music to Germany

The organizers of the American Folk Blues Festival were coming from very different backgrounds. Lippmann was Jewish and his family had been persecuted by the Nazis. He saw similarities between black suffering in the US and the plight of Jews in Nazi Germany. Rau, on the other hand, came from a family that had profited from the Nazis’ war buildup. He discovered Jazz in the 1950s and imagined the possibility of Dennazification and “rebirth through Jazz.”

When Lippmann and Rau began to organize jazz concerts featuring African American artists, for instance the Modern Jazz Quartet, they sought to give Jazz an aura of “respectability” by having artists wear tuxedos, advertising events with abstract art, and setting up concerts in symphony halls instead of small, smoke-filled clubs. As Adelt argued, this idea of having to make jazz and its performers respectable can be traced back to racial ideas of the Nazi era.

While organizing blues concerts, Lippmann and Rau gave up on the concept of creating respectability and appealed to primitivist ideas instead. The American Folk Blues Festival, staged between 1962 and 1972, and 1980 to 1985, usually went for three to four hours and featured eight to ten headliners.

What was presented in these concerts can be described as nostalgic blues for white audiences. Both folk music from the 1930s and 1950s blues were at this point somewhat outdated. Older blues artists, such as Willie Dixon (1915 – 1992), were rediscovered during the 1960s. In this context, there was also a conflict between older black and younger white blues performers.

Big Joe Williams, American Folk Blues Festival, Hamburg 1972. Photo by Heinrich Klaffs. This file is licensed under the Creative Commons Attribution-Share Alike 1.0 Generic license. From Wikipedia.
Big Joe Williams, American Folk Blues Festival, Hamburg 1972. Photo by Heinrich Klaffs. This file is licensed under the Creative Commons Attribution-Share Alike 1.0 Generic license. From Wikipedia.

Lippmann and Rau’s posters advertising their events made extensive use of romantic primitivist imagery. The artwork often featured guitars and earthy colors, reminiscent of nameless black bodies. Overall, their design conveyed a “non-threatening” nostalgia.

The events themselves even surpassed the posters in their stagecraft. To enhance the atmosphere of the spectacle, concerts sometimes featured recreated juke joints and other scenery, and African American GIs were bused in as studio audience in Germany.

Here, here, and here are some videos of typical performances (you can find much more material on youtube).

In 1967, Lippmann and Rau started booking Soul and Funk artists such as James Brown. With a turn towards these more contemporary forms of black popular music, the audience also shifted notably from white Germans to black American GIs.

Blues, Civil Rights, and Well-Meaning Racism

In 1965, Lippmann and Rau linked their American Folk Blues Festival to the US Civil Rights Movement. While well-meaning, in retrospect they upheld problematic racial constructions. In concert booklets, for example, blacks were presented as victims without an agency of their own. In a sense, Lippmann and Rau catered to their audience’s expectations of blues as a primitive, raw, emotional, but certainly not intellectual form of art.

Some African American blues artists developed what Adelt sees as strategies to counter such forced constructions of identity. At times, they spontaneously changed playlists at their shows. Some defied stereotyping by showing off their extraordinary skills and gimmicks in musicianship, for instance on the guitar. Stage antics, appearance in decidedly flashy clothes, or the performance of novelty songs were forms of resistance against expectations. White audiences did not always take this too well. In 1965, Buddy Guy (born in 1936) was booed for playing a medley of James Brown songs. To some degree, the blues resisted against expectations of white middle class respectability.

In conclusion, Adelt remarked that the appropriation of the blues by white German audiences was characterized by ambiguity. While there was great optimism about the prospects of Denazification through American popular culture, the project of transplanting the blues to Europe had a blind spot in its continuation of racial stereotypes.

Here is American Studies Leipzig’s video interview with Ulrich Adelt:

Further Reading:

Adelt, Ulrich. Blues Music in the Sixties: A Story in Black and White. First Paperback ed. Rutgers UP, 2011.
Balitzki, Jürgen et al. Bye Bye, Lübben City. Bluesfreaks, Tramps Und Hippies in Der DDR. 1st ed. Schwarzkopf + Schwarzkopf, 2004.
Carby, Hazel V. Race Men. Harvard UP, 2000.
Filene, Benjamin. Romancing the Folk: Public Memory and American Roots Music. U of North Carolina P, 2000.
Hamilton, Marybeth. In Search of the Blues. Reprint. Basic Books, 2009.
Hohn, Maria. GIs and Fräuleins: The German-American Encounter in 1950s West Germany. U of North Carolina P, 2002.
Oguntoye, Katharina, May Ayim, and Dagmar Schultz. Farbe Bekennen: Afro-deutsche Frauen Auf Den Spuren Ihrer Geschichte. 3., veränd. Aufl. (REV). Orlanda Frauenverlag, 2007.
Von Eschen, Penny M. Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War. Harvard UP, 2006.

Historian Charles Postel Talks about the Tea Party Movement

Today, historian Charles Postel of San Francisco State University and a visiting scholar at Heidelberg University, visited American Studies Leipzig as part of the Fulbright lecture series to talk about the rise of the Tea Party Movement in the US.

Postel, who specializes in populist movements in America, sees the Tea Party Movement as driven by a convergence of two different forces: ideology and economic self-interest.

The Founding Myth: The Boston Tea Party

“The Destruction of Tea at Boston Harbor” by Nathaniel Currier, lithograph depicting the 1773 Boston Tea Party (1846), from Wikipedia

He mentioned the myth of the original Boston Tea Party of the eighteenth century in American folklore, which is widely seen as a tax revolt, but was, according to historians, much more complex, involving political ideas about freedom and economic self-interest of Boston merchants and smugglers.

In order to illustrate the anatomy of today’s Tea Party Movement, Postel noted that federal taxes are at the lowest level since sixty years and that tax levels for the highest income groups have declined even sharper than for the average taxpayer.

Ideological Roots: Cold War Hard Right Paranoia

Postel held that much of the ideology of the Tea Party Movement derives from anti-New Deal conservative movements of the Cold War Era, in particular the John Birch Society, who saw social programs such as Social Security, trade unions, and the Civil Rights Movement as communist subversion of America. The enemies of those anti-New Deal conservative Republicans were for the most part moderate Republicans of the time.

The John Birch Society, which was the first grassroots conservative movement in the US, achieved a victory in mobilizing for Barry Goldwater as Republican candidate in 1964.

Robert Welch, the founder of the JBS, even went so far as accusing Presidents Eisenhower and Kennedy as communist agents. In fact, anyone in favor of the New Deal and Civil Rights was seen as a communist.

In this video clip on YouTube, you can see Welch’s presentation (ca. 1965) of the JBS.

Other leading conservative intellectuals, such as William F. Buckley, distanced themselves from Welch and the JBS.

Welch and his allies, among them writer Leon Scousen, whose books have had a revival among Tea Partiers, built their own conservative movement on an anti-New Deal agenda.

For them, America’s fall from grace began in the early 1900s with the Progressive Movement’s social reforms.

The Birchers demanded the repeal of early twentieth century reforms, the Sixteenth Amendment, which allows for the federal government to raise an income tax, and the abolition of the Federal Reserve. They also demanded that the Seventeenth Amendment be repealed, which allows for the direct election of Senators. This was subsumed under the idea that America was a republic, not a democracy.

The Tea Party Movement picks up many of those ideas. It aims at repealing the remaining elements of the New Deal. It wants to abolish the Fed and for the reintroduction of the Gold Standard. It wants to repeal the 16th and 17th Amerndments. It argues that President Obama is a socialist and points to the Affordable Healthcare Act or ‘Obamacare.’

According to Postel, Obama is actually a centrist Democrat. A health care legislation similar to Obama’s was first proposed by President Nixon in 1974. For a long time, Republicans endorsed this idea.

The Tea Party Movement sees any regulation of the health care sector as socialism.

The Comeback of Bircher Rhetoric

If the rhetoric reminds of Joseph McCarthy and Barry Goldwater, that is, Postel says, because the John Birch Society has a revival.

Leon Scousen’s books are advertised regularly on Fox News by opinion hosts such as Glenn Beck.

Right-wing corporate lobbyists, including groups like FreedomWorks or Americans for Prosperity, but also think tanks, such as the conservative Heritage Foundation or the libertarian Cato Institute promote ideas similar to those of the Birchers.

Overall, the Cold War Hard Right has made a comeback, and it has gained the upper hand within the Republican Party.

Moderate Republicans have become a pariah within their party.

[Update]: I just stumbled upon a recent example of Bircherite Tea Party rhetoric. Congressman Allen West (R-FL) suggesting that 80 House Democrats are members of the Communist Party (article from The Raw Story).

The Politics of Self-Interest: Medicare Is Fine, But Only For Me

Besides ideology, politics of interest play an important role in the Tea Party Movement.

Postel sees this embodied in the Tea Party Movement’s opposition to health care reform as fight against ‘big government.’

The size of the federal government has remained relatively stable over the last decades. Most federal spending has been shrinking in the last thirty years. The two big exceptions to this are military spending and Medicare.

Most Tea Party supporters are on favor of higher military spending.

Regarding Medicare, typical Tea Party supporters—older, better educated, white males—have in the past most profited from government programs.

In other words, the Tea Party Movement mobilizes in the name of defending Medicare for themselves.

Tea Party figures such as Michelle Bachman have argued to the effect that Obama would take funds out of Medicare to give it to younger people.

Postel mentioned that the Paul Ryan Budget, favored by Republicans, illustrated this interest: those over fify-five would keep Medicare, while everyone else will have to shop in the insurance market with private vouchers.

The Politics of Inequality

The Ryan Budget also includes tax cuts for top earners and budget cuts for social programs.

This plan is proposed within the context of rising inequality within the US. While problematic for many, Postel noted that tens of millions of Americans have also benefited from rising inequality.

So far, Tea Party-influenced legislation at the state and local level has fostered inequality, with a clear anti-immigrant, anti-union, anti-reproductive health, and anti-voting rights agenda.

Currently, about twenty percent of Americans sympathize with the Tea Party Movement.

The Tea Party Movement has links to corporate lobbyists. Postel highlighted the Koch Brothers, the fourth wealthiest individuals in the US with an industry conglomerate in petrochemicals. The Kochs bankroll the Tea Party Movement through lobby groups such as Americans for Prosperity. They founded libertarian think tank the Cato Institute, and ALEC, a legal think tank. Fred C. Koch, father of Charles and David Koch, was a founding member of the John Birch Society.

Despite the involvement of the Kochs and others, Postel said that the Tea Party Movement cannot be called purely an ‘astroturf’ or fake grassroots movement.

Postel also held that while the mass media often emphasize the Tea Party Movement’s anti-elite rhetoric, there is not very much of it on closer look. Rather, all political movements in the US since the nineteenth century have used some form of anti-elite rhetoric, out of necessity.

Blowing Up The Social Contract

For Postel, the core agenda of the Tea Party Movement is “blowing up the social contract.” While in Europe there is general agreement about the validity of some form of social contract, even among right-wing populist parties, who want to limit the beneficiaries of that social contract, Tea Partiers want to end it. To American Tea Partiers, European right-wing populist parties might look statist, which is opposite to Tea Party ideology.

Many Tea Partiers call themselves ‘tenthers,’ in reference to the Tenth Amendment, which gives established the federal system giving states all rights not granted to the federal government. Postel noted that in the US, political movements have always swung for or against states’ rights and federal rights, depending on whether the legislation in question aligned with their particular agenda.

Postel ended his talk noting that, ironically, the Tea Party Movement has nationalized politics more than anything else in the recent past.

Charles Postel is currently working on a book chapter for an anthology on the Tea Party Movement.

Update:

Here is a video from American Studies Leipzig featuring an interview with Charles Postel after his talk:

American Studies Leipzig Graduate Conference 2012, Day 1 (Keynote Speech)

Last weekend, I attended American Studies Leipzig’s third graduate conference, “Global Games, Global Goals: Locating America in the Cultural, Social, and Political Realms of Sports,” organized by the second year MA students. I have to say that the two days of conference were very pleasurable as a guest. Great organization, nice hosts, interesting speakers, and an impressive location: the Deutsches Literaturinstitut Leipzig. Not to mention quite a bit of tasty food and beverages, which bring me back to the overall conference topic and what I should do afterwards—sports.

On the first day, the keynote speech was held by Prof. Dr. Dorothee Alfermann of the Institute for Sport Psychology and Pedagogy at the University of Leipzig on “American and German Sports from a Socio-Cultural Perspective.”

In her talk, Alfermann traced the development of sports in the US and Germany, and highlighted the very different trajectories in both countries.

While in the US, sports tends to be more about performance, competition, and record orientation, in Germany, sports as a mass phenomenon emphasizes exercise  and recreational activity.

These general differences have a historical roots.

In Germany, for instance, the Turner Movement of the early nineteenth century around Friedrich Ludwig Jahn, underpinned by German nationalism, aimed at training young men for military service, while rejecting the competitive aspect of sports.

Nationalism in sports was not limited to Europe. In the late nineteenth century, Americans tried to forge their national identity in contrast to Europe, which also expressed itself in the development of own national sports, in particular baseball since the 1860s, American football, and basketball.

The organization of sports differs greatly between the US and European countries such as the UK or Germany. While schools and colleges play a central role in the US, European countries have historically organized sports around sports clubs.

One particularity of sports in the US is the combination of physical and intellectual education, embodied in college stipends for student-athletes. Sports becomes a means of getting a higher education, even though many aim for professional athletic careers.

Some similarities do exist about sports in the US and Germany today, Alfermann concluded. Sports contributes to (national) identity and produces heroes. It attracts huge crowds, is a big business, and men’s sports tend to be held in higher regard in the public eye.

More posts to follow soon.

American Studies Leipzig Graduate Conference 2012

Tomorrow I will be going to American Studies Leipzig’s third graduate conference, organized by the second year MA students.

This year’s topic is “Global Games, Global Goals: Locating America in the Cultural, Social, and Political Realms of Sports.”

As the website describes it, the conference

will explore different notions of sports in a forum integrating students and professionals. Since sports touches upon many aspects of life such as politics, media, popular culture, history, and health, it offers a myriad of possible research foci. In fact, American sports and sport lifestyle(s) influence cultures around the world while simultaneously being subject to influences from other cultures as well. The study of sports within an American context is thus not limited to the national level: Sports organizations, sports gear enterprises, and athletes of all possible types operate internationally, making the topic of sports highly relevant on a global scale.

As a ‘veteran’ conference organizer (I was part of the organizing team in 2010), I am of course very excited to see how this year’s MA class manages to pull it all off. I am confident in this year’s organizing team, as the previous conferences went quite well.

I am also curious about the presentations and certain to learn about many aspects of sports that I had not thought about earlier. If I find the time, I will put up some more posts after the weekend.